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Dr Hiu Man Chan

Job: Senior Lecturer in Creative Industries

Faculty: Arts, Design and Humanities

School/department: School of Humanities and Performing Arts

Address: Room 2.05, Clephan Building , Âé¶¹Ó°Ôº, Oxford Street, Leicester, LE1 5XY

T: 0116 255 3945

E: hiu-man.chan@dmu.ac.uk

Social Media:

 

Personal profile

Dr Hiu Man Chan specialises in international collaboration across the creative and cultural industries. She is a film producer, festival director, and founder of an NGO, with a parallel personal interest in the philosophical dimensions of AI and human interaction.

With over 15 years of industry experience, she has worked on projects spanning co-production development, film distribution and exhibition, festivals, film-related IP design, publishing, and creative enterprise. Alongside this, she teaches across the arts, humanities, business management, and social sciences, bringing industry insight into the classroom while empowering students to think critically and entrepreneurially.

Her research is dynamic, interdisciplinary, and solutions-driven, grounded in knowledge exchange and the democratisation of ideas. She regularly publishes commentary with international outlets including The Conversation, The Diplomat, World Economic Forum, South China Morning Post, and CGTN, while also curating public debates and contributing as a media commentator.

Originally from Hong Kong SAR, Dr Chan first moved to the UK in 2006, arriving in Wilmslow, the former home of Alan Turing. Today, she maintains extensive networks across Greater China and ASEAN, while her research and advocacy have attracted attention from DCMS, the Department for Business and Trade, the British Council, the BFI, and local councils.

Dr Chan is open to consultancy enquiries.

Research group affiliations

  • Fellow, UN SDG Academic Impact Hub ( Focusing SDG 11 & 16)
  • Member, Research & Innovation Institute for Sustainable Futures
  • Affiliate, Resaerch & Innovation Institute of Global Challenges and Cultures

Publications and outputs

 Please click for Google Scholar Profile. 

Key research outputs

Knowledge Exchange Outputs:

  • (featured as expert)
  • Jury Panel Member, 30º Ningbo Short Film Festival, 2025
  • UK Malaysian Film Festival, 2024-present, co-founder & artistic director
  • . 2023. The UK National Committee on China (UKNCC).
  • Electric Shadows: Leicester Chinese Film Festival, 2022-present, co-founder
  • Odyssey film festival, 2021-presenter, founder & artistic director
  • UK-China Film Collab, a spin-out NGO from an AHRC funded research project, 2020-present

Research interests/expertise

Hiu Man's current research interests focus on the following topis: 

LOCAL

  • creative and social enterprise for town regeneration in the UK, SDG11 matters, youth equality, heritage management and local IP development 
  • cultural history, innovation and enterprise 

INTERNATIONAL

  • UK film industry’s internationalisation beyond Hollywood and Europe. It particularly investigates and orchestrates opportunities in new rising markets, such as China. 
  • Chinese cinema culture, film industry and its internationalisation, particularly around international collaboration with the UK, EU/beyond Hollywood
  • International co-production films with China
  • The future of Hong Kong’s creative industries
  • Film and the United Nations Sustainable Development Goals
  • Film diplomacy as conflict mediator and peacebulding/cultural relations
  • Creative and social enterprise development, R&D and management as cultural diplomacy

And the innovative and collaborative space between the local and international interests.

Her other interests include contextual and historical research which support above themes, soft power, cultural diplomacy, film (criticism) as journalism as well as a long-life philosophical thinking about "Imagination and Institution".

Dr Chan welcomes imaginative PhD project enquiries.

Areas of teaching


  • PhD supervision

Qualifications

  • PhD, JOMEC, Cardiff University
  • MA, University College London
  • BA (Hons), Oxford Brookes University

Courses taught

  • Global Arts Management, BA
  • Arts and Festivals Management, BA
  • Cultural Events Management, MSc

Business and Law Faculty

  • Creative Industries (Management and Enterprise) MSs
  • Business Management in the Creative Industries, MSc

Membership of external committees

  • Review College Member, 2020 - present, UKRI Future Leaders Fellowships, UK Researcn Innovation
  • Founder & Director, 2020 - present, UK-China Film Collab (Not for profit NGO)
  • Exco Member, The British Malaysian Society and Chair of its culture group, 2023-present
  • Trustee Board Member, Indpendent Cinema Office, May 2024 - persent
  • Artistic Director, 2021 - present, Odyssey film festival
  • Series Editor, 2015 - 2024, Intellect China Library

Membership of professional associations and societies

  • Hong Kong Society (UK)
  • Member, UK Documentary Council 

Consultancy work

Dr Chan has conducted consultancy work for charity, commercial and government bodies in the UK and Greater China. She has also acted as a Master of Ceremony for high-level events related to her specialism in English, mandarin Chinese and Cantonese. 

  • chairing, facilitation, interpretation and translation for high-level diplomatic or business meetings 
  • policy briefing for international creative industries collaboration between the UK, EU, Greater China and ASEAN
  • creative enterprise development, planning, IP transfer between the UK, EU, Greater China and ASEAN
  • Co-production screen project development between the UK, China and beyond 

Current research students

Amanda Renai Curdt-Christiansen

"Bertie on Screen: An inquiry into the Bertrand Russell Archives and their screen adaptations potential for the East Asian market", M4Cities Doctoral Collaborative Awards, Arts and Huamnities Research Council, in partnership with The Bertrand Russell Peace Foundation. Oct 2025- present, First Supervisor. 

Jennifer Li

"Creating a new screen IP for a Midlands based leather shoe brand as its East Asian market strategy", Jan 2025 - present, First Supervisor. 

Externally funded research grants information

  • 2025-2029: First Supervisor, "Bertie on Screen: An inquiry into the Bertrand Russell Archives and their screen adaptations potential for the East Asian market", M4Cities Doctoral Collaborative Awards, Arts and Huamnities Research Council, in partnership with The Bertrand Russell Peace Foundation 
  • 2023: Academic Supervisor, KTP Management Project with FABRIC - to improve the charity's efficiency and management via a new CRM system and data strategies, Innovate UK

  • 2022: Principal Investigator, Accelerated KTP, “To build an intelligent content management for international film distribution in the UK”, Innovate UK

  • 2020: Principal Investigator, To Search for an Operating Model and Commercialisation Strategies for Theatre Spaces within the Shanghai Theatre Academy, International Placements, Arts and Humanities Research Council

  • 2019: Principal Investigator, “To Search for a Sustainable UK-China Film Collaboration: Unlocking Issues around Film Distribution Mechanisms”, UK-China Creative Industries Partnership Development Grants, Arts and Humanities Research Council

Internally funded research project information

  • 2024, Participatory Research Funding Award (to work with charity tve)
  • 2023/2024, Knowledge Exchange Award (to reverse Innovate's KTP project)
  • 2023, Climate Action Award in Arts and Culture, UN SDG Academic Impact Hub

Published patents

2024, Trademark, "Global Stage on Screen", IPO

Case studies

1. 2. 3. 

ORCID number

0000-0002-5335-3833

Presentations & Invited Talks

12 Sep 2025 - Panelist at "Creative Collaboration between the UK and China", ABCP Annual Conference 2025, University of Surrey, UK

10 June 2025, "‘The logics of passion: An inquiry into a philosophical foundation of creative enterprise", Faculty Research Showcase, Âé¶¹Ó°Ôº, Leicester, UK

8 Feb 2025 - "Opportunities and challenges in digital infrastructure development within dance organisations: a Knowledge Transfer Partnership case study", Igniting Creativity: Art, Education, Transformation and Change conference, Northern School of Contemporary Dance, Leeds, UK (With Sally Doughty & Ebenezer Apata)

3 Feb 2024 –  “The Wandering Earth 2 film screening and panel discussion”, organised by LSE’s Department of Government, BFI Southbank, London, UK

11 Jan 2024 – “Creating sustainable relationships workshop”, China-UK Creative Industries Hub, Online

13 Nov 2023 – “Blockchain and the Creative Industries: Challenges and Opportunities” as part of Âé¶¹Ó°Ôº, Leicester, UK

1 Nov 2023 –  “The task of a translator and the different dimensions of cultural translation in electric shadows”, USTB, Beijing, China

25 Oct 2023 – “International storytelling in corporate films”, RZ Institute for Corporate Social Responsibility, Beijing, China

23 Oct 2023 – “Searching for heritage inspired animation IPs between the UK and China”, XATU, Xi’an, China

15 Mar 2022 – , University of Liverpool, UK

28 Oct 2021 – , King’s College London, UK

26 Oct 2021 – , Cambridge University China Forum, Cambridge, UK

5 Feb 2019 – “Hong Kong New Wave: Legacy and Future Opportunities in International Film Business”, Birmingham City University, UK

28 Sep 2018 – “Early Film Criticism Culture in Amoy/Xiamen Local Newspapers before 1949”, Chinese Film Theory and Criticism Workshop 2, Hong Kong Baptist University

27 Sep 2018 – , University of Hong Kong

22 Mar 2018 – “The Issues of Writings on Contemporary Chinese Art in British Newspapers”, Birmingham City University, UK

2018 – Introduction to the screening of Have a Nice Day (2017) at Phoenix Cinema, Leicester, UK

Jan 2018 – “Challenges in Theorising Hong Kong Cinema History”, The Hong Kong History Project The 2nd Postgraduate Workshop, University of Bristol, UK

15 Dec 2017 – “Writing Contemporary Chinese Art in Journalism: issues, challenges and possibilities”, Polish Institute of World Art Studies, Warsaw, Poland

Sep 2017 – “The Art of Moving Truth: An Inquiry into the Possibility of Writing Film Criticism as Journalism through Theory and Practice”, at The Future of Journalism: Journalism in a Post-truth Age?, Cardiff University, Wales

14 June 2017 – “Tracing the Heroine: a Historical and Aesthetic Investigation on CCTV’s television representation of the ‘Chinese mother of Belgium”, with Roel Vande Winkel at the Poetics of Asian Cinemas Conference, Lancaster University, UK

4 May 2017 – “A Critical Valuation of Current Debates in Chinese Film Criticism in Mainland China”, Chinese Film Theory and Criticism Workshop, Kings’ College, University of London, UK

June 2017 – ‘Release Me’: Seeking Communications Beyond the Empire of Signs”, IFVCR Network Conference, Cardiff University, Wales

May 2017 – “Rethinking Foucault’s Discourse”, guest lecture at the School of Journalism and Communication, Xiamen University, China

2015 – Introduction to the screening of Golden Gate Girls (2014) at Chapter Arts Centre, Cardiff, Wales

16 Sep 2015 – “Authentic Intellectuals: Challenges in Diaspora beyond Nationalism”, at Diaspora beyond Nationalism Conference, Cardiff University, Wales

May 2015 – “Disrupting Boundaries: Then Where Do We Go Now?”, at Cultural Studies Association Annual Conference, Riverside, LA, USA

July 2014 – “Searching for Cross-Cultural Definitions of Chinese Cinema: Comparing Research Literature in English and in Chinese” at Asian Cinema Studies Conference, University of Macau

16 May 2014 – “Current Issues on Researching Chinese Cinema in the UK” at East Asian Screen Studies Symposium, King’s College London, UK

Nov 2013 – Book Launch: Phoenix Picturehouse: 100 Years of Oxford Cinema Memories, Phoenix Picturehouse Cinema, Oxford, UK

June 2013 – “Charlie Chaplin’s Revolution in China” at NECS Conference – ‘Media Politics – The Political Media’, Charles University, Prague, Czech Republic

Mar 2012 – “The Shared Dreams: Transnational Hong Kong Cinema through Nostalgia” at Asian Cinema Studies Society Conference, University of Hong Kong

Hiu Man Chan, Profile 2

 

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